【作者】 常莹；

【导师】 薛娟；

【作者基本信息】 山东建筑大学， 设计学， 2016， 硕士

【摘要】 汉唐时期,中国大陆与朝鲜半岛三国时代的新罗往来频繁。新罗借助唐朝的力量,打败了高句丽与百济,建立了统一新罗时期。由于唐朝强大的综合国力和开明的对外开放理念,吸引了许多新罗人来到唐朝经商、学习、生活等。新罗僧人来到唐朝学习佛法,学成之后归国,将佛教文化传播到新罗。同时,他们将唐朝的佛教建筑样式与技术带回了新罗,并且在新罗建造了传播佛教文化的场所。这一时期新罗留学僧的足迹遍布中华大地,并且在此建造了许多新罗佛教建筑。在华新罗佛教建筑有的是新罗人建造的,有的是唐朝政府为了方便新罗僧人在此学习,由唐朝政府主持建造的。本文从宏观的视野对在华新罗佛教建筑艺术进行较为系统的研究,将其与中国汉唐时期佛教建筑艺术联系起来进行比较。通过对中华大地的新罗佛教建筑艺术遗存进行调研,这些地区包括山东、江浙、福建、广东、陕西、湖北、江西等地区,发现这些地区的新罗佛教建筑有些已经被毁,有些只剩残垣断壁,有些是经过扩建或者重修的。调研期间主要对这些遗存中的寺刹、佛塔、造园、木构建筑技术进行考察,分析这些新罗佛教建筑艺术遗存的总平面布局、建筑装饰与材料以及景观设计,发现新罗佛教建筑艺术与汉唐佛教建筑艺术之间的师承关系。这种师承关系主要表现在：第一,新罗佛教建筑艺术的诸要素在基本结构上与汉唐佛教建筑艺术相同；第二,新罗佛教建筑艺术的发展过程缺乏连贯的脉络,它是在不同时段吸收中国大陆某一时段、某一地域的佛教建筑风格而形成具有不同特征的佛教建筑艺术；第三,新罗佛教建筑艺术由于受到自然条件、政治因素、物力资源、技术能力等方面的制约而产生了一些与中国大陆佛教建筑艺术有所差异的地域性特征。研究在华新罗佛教建筑艺术遗存有着丰富的历史价值、文化价值、艺术价值、旅游价值、国际交流价值。本文旨在通过研究这些新罗佛教建筑语言,使其对现代佛教建筑产生启发作用。随着新材料、新技术的不断出现,将这些新罗佛教建筑语言与现代佛教建筑的发展趋势相结合,对其进行革新之后运用到现代环境艺术设计中。更多还原

【Abstract】 The Han and Tang Dynasties, Chinese mainland and three kingdoms of Silla in the Korean peninsula communicated frequently. With the power of the Tang Dynasty, Silla defeated Goguryeo and Baekje, established the Unified Silla period. Since the Tang Dynasty large comprehensive national strength and enlightened concept of opening up, attracted many Silla people came to the Tang Dynasty, such as business, study and life. Silla monks camed to study Buddhism in the Tang dynasty, returned home after their graduation, spreaded the Buddhist culture to Silla. At the same time, they brought the architectural style of the Tang Dynasty Buddhist and technology back to Silla, Silla built places to spread the Buddhist culture. During this period, Silla monks studying footprints all over the land of China, constructed a number of Silla Buddhist architecture. Silla Buddhist architecture in China, some constructed by Silla people, some constructed by the Government of the Tang Dynasty for the convenience of Silla monks in there study. From the macro vision of more systematic research on the Silla Buddhist architecture in China, which was linked to the Chinese Han and Tang Dynasties Buddhist architecture by comparison.Through the investigation and research on the Silla remains of Buddhist architectural art in China, these regions including Shandong, Jiangsu and Zhejiang, Fujian, Guangdong, Shaanxi, Hubei, Jiangxi and other regions, found Silla Buddhist architecture in some of these areas have been destroyed, some of them leaving only ruins, some of them have expanded or reconstructed. During the investigation, these mainly to inspect the remains of the Buddhist temple, pagoda, gardening, wood construction technology, analyze overall layout of these Silla Buddhist architectural remains, architectural features and materials as well as landscape design, found the inherited relationship of the Buddhist art and architecture between Silla and the Han and Tang Dynasties. The inherited relationship are as follows. First, the basic structure elements of the Silla Buddhist architectural art is the same as the Han and Tang Dynasties Buddhist architectural art. Second, the development process of the Silla Buddhist architecture art is lack of coherence, which is a Buddhist architectural art with different characteristics in different periods to absorb a certain period, a certain region on the Buddhist architecture of the mainland in China. Third, the Silla Buddhist architectural constraints due to natural conditions, political factors, material resources, technical skills and other aspects and has produced a number of Chinese Buddhist architecture and regional differences in characteristics. The research on the Silla remains of Buddhist architectural art in China has a wealth of historical value, cultural value, artistic value, tourism value, the value of the international exchange.This paper aims to study these Silla Buddhist architecture languages generates inspiration to the modern Buddhist architecture. With the continuous emergence of new materials, new technologies,the Buddhism architectural language after innovation combined with the development trend of modern buddhist buildings, it will be applied to the modern environmental art design.更多还原